No. 29 – Small Screen Fictions (2017)

Edited by Astrid Ensslin, Lisa Swanstrom & Pawel Frelik

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This issue of Paradoxa comes with a companion website. The site features extensive visual material impossible to reproduce in the hard copy. View website here

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• Introducing Small Screen Fictions, Page 7
  Astrid Ensslin, Lisa Swanstrom & Pawel Frelik
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• Touching Books on Screen: Bridging Media Cultures and Generations with William Joyce’s *The Fantastic Flying Books of Mr. Morris Lessmore, Pages 19-42
  Sara Tanderup Linkis
  
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• Children Making Meaning with Literary Apps: A 4-year-old Child’s Transaction with The Monster at the End of This Book, Pages 43-64
  Aline Frederico
  
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• A Chinese Cluster: Danish-Born Digital Comic as Source for Transmedia Design and Innovation, Pages 65-88
  Sarah Mygind
  
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• Paradoxa Interview with Mark Marino, Pages 89-98
  Astrid Ensslin & Lisa Swanstrom
  
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• The Author Interface: Rethinking Authorship through Ludoliterary Analysis of The Stanley Parable and The Beginner’s Guide, Pages 99-122
  Ryan House
  
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• Deep Time in Play, Pages 123-144
  Stuart Moulthrop
  
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• Fallen London: Authorship and Game Allegory, Pages 145-168
  Karlien van den Beukel
  
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• The Image of Agglutination, or Many Small Screens Chained Together: Narrative Assembly in Merritt Kopas’s Obéissance and Sam Barlow’s Her Story, Pages 169-198
  Joshua Hussey
  
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• Charting Paths: Networks and a Mobile Aesthetic Practice in Pullinger and Joseph’s Flight Paths and Heyward’s of day, of night, Pages 199-228
  Kristine Kelly
  
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• Conditions of Presence: Topological Complementarities in The Silent History, Pages 227-250
  David M. Meurer
  
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• Paradoxa Interview with Dene Grigar, Pages 251-262
  Astrid Ensslin
  
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• Replies, Retweets, and Reblogs: Modes of Participation in The Lizzie Bennet Diaries, Pages 263-286
  Meredith Dabek
  
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• The Page is a Touchscreen: Haptic Narratives and “Novel” Media, Pages 287-312
  Caleb Milligan
  
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• “The Dream of an Island”: Dear Esther and the Digital Sublime, Pages 313-326
  James O’Sullivan
  
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• Vast Landscapes, Small Screens, and Altered Perspectives, Pages 327-334
  Steve Tomasula
  
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