Volume 22 – "Three Asias – Japan, S. Korea, China"
- Page Article
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7
Legitimacy and Community: Traveling Writers and Texts in Post-1945 East Asia
Karen Thornber -
40
Introduction to Three Asias – Japan
Takayuki Tatsumi -
47
The Melancholy Melodrama of "Honorary Whiteness": The Case of Yuasa Katsuei’s Colonial Fiction
Mary A. Knighton -
65
From Parody to Simulacrum: Japanese SF, Regionalism and the Inauthentic in the Early Works of Komatsu Sakyo and Tsutsui Yasutaka
William O. Gardner -
77
The Transpacific Gaze in The Tropic of Orange
Gayle K. Sato -
101
Japan/America, Man/Woman: Gender and Identity Politics in Adriane Tomine and Yoshihiro Tatsumi
Rebecca Suter -
123
Review of Mechademia 4: War/Time
Colleen Montgomery -
131
Review of The Anime Machine: A Media Theory of Animation
Colleen Montgomery -
139
Review of Sublime Voices: The Fictional Science and Scientific Fiction of Abe Kobo
Tadashi Nagasawa -
147
Review of Robot Ghosts and Wired Dreams
Ebihara Yutaka -
153
Review of Ogawa Issui’s The Lord of the Sands of Time
Deborah Shamoon -
157
Introduction to Three Asias—S. Korea
Jina Kim -
171
S. Korean Filmmaker Park Chan-wook: Interview and Reflections on Sympathy for Lady Vengeance
Aryong Choi -
185
Review of The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs
Yun Mi Hwang -
191
Review of East Asian Pop Culture: Analysing the Korean Wave
Jung-yup Lee -
197
Review of Yellow Future: Oriental Style in Hollywood Cinema
Susan Napier -
203
Introduction to Three Asias—China
Zhang Zhen -
211
Historical Tensions in East Asian Popular Culture and the Roles of the State
Kwai-Cheung Lo -
229
Hong Kong Cinema as Community: The Case of Eric Sang
Laikwan Pang -
249
Disrobing CCTV: Scandals, E’gao, and Resistance in China’s Cyberspace
Ruoyun Bai -
269
Hip Hop is my Knife, Rap is my Sword
Ying Xiao -
299
From Venice to Beijing: Art, Politics and Commerce
Xiaoping Lin