Volume 22 – "Three Asias – Japan, S. Korea, China"

• Page Article
• 7

  Legitimacy and Community: Traveling Writers and Texts in Post-1945 East Asia

  Karen Thornber
• 40

  Introduction to Three Asias – Japan

  Takayuki Tatsumi
• 47

  The Melancholy Melodrama of "Honorary Whiteness": The Case of Yuasa Katsuei’s Colonial Fiction

  Mary A. Knighton
• 65

  From Parody to Simulacrum: Japanese SF, Regionalism and the Inauthentic in the Early Works of Komatsu Sakyo and Tsutsui Yasutaka

  William O. Gardner
• 77

  The Transpacific Gaze in The Tropic of Orange

  Gayle K. Sato
• 101

  Japan/America, Man/Woman: Gender and Identity Politics in Adriane Tomine and Yoshihiro Tatsumi

  Rebecca Suter
• 123

  Review of Mechademia 4: War/Time

  Colleen Montgomery
• 131

  Review of The Anime Machine: A Media Theory of Animation

  Colleen Montgomery
• 139

  Review of Sublime Voices: The Fictional Science and Scientific Fiction of Abe Kobo

  Tadashi Nagasawa
• 147

  Review of Robot Ghosts and Wired Dreams

  Ebihara Yutaka
• 153

  Review of Ogawa Issui’s The Lord of the Sands of Time

  Deborah Shamoon
• 157

  Introduction to Three Asias—S. Korea

  Jina Kim
• 171

  S. Korean Filmmaker Park Chan-wook: Interview and Reflections on Sympathy for Lady Vengeance

  Aryong Choi
• 185

  Review of The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs

  Yun Mi Hwang
• 191

  Review of East Asian Pop Culture: Analysing the Korean Wave

  Jung-yup Lee
• 197

  Review of Yellow Future: Oriental Style in Hollywood Cinema

  Susan Napier
• 203

  Introduction to Three Asias—China

  Zhang Zhen
• 211

  Historical Tensions in East Asian Popular Culture and the Roles of the State

  Kwai-Cheung Lo
• 229

  Hong Kong Cinema as Community: The Case of Eric Sang

  Laikwan Pang
• 249

  Disrobing CCTV: Scandals, E’gao, and Resistance in China’s Cyberspace

  Ruoyun Bai
• 269

  Hip Hop is my Knife, Rap is my Sword

  Ying Xiao
• 299

  From Venice to Beijing: Art, Politics and Commerce

  Xiaoping Lin